![\"Greenwich](\"http:\/\/theartssocietyoxford.org.uk\/wp-content\/uploads\/2011\/09\/Greenwich-Pavement-Inscription.jpg\" "\\"Greenwich")
<\/a>27 members and friends of Oxdfas visited Greenwich, home of the Cutty Sark, the Maritime Museum, the Royal Naval College and everything historical with a naval background.<\/p>\nJuliet Blackburn organised the trip and fixed the weather too, which was good.<\/p>\n Bologna, Ravenna, Mantova, Urbino, and Ferrara, can you really do five Renaissance cities in six days? How we managed to do all of Polly and Josephine\u2019s ambitious programme I really don\u2019t know, but we did, and we managed to squeeze in delightful lunches, wonderful ice creams, evening strolls and quite a lot of prosecco on the roof top terrace of our perfectly situated hotel. They call Bologna the Fat City because of their love of dairy, pig and pasta so you don\u2019t come to get thin, but it is also a Unesco listed Medieval city so you burn off those delicious calories walking through kilometres of porticoed streets. The sun shone from the moment we landed and we basked in temperatures from 28 to 38 degrees every single day. The sun bathed red-gold plain brick Renaissance exteriors \u00a0gave way to glittering interiors of astonishing beauty and great craftsmanship. All five cities were gems, each with its own unique treasures, but perhaps Ravenna\u2019s mosaics most captured the essence of the trip. Art, devotion, power, imagination, craftsmanship, politics, all came together in chips of stone and glass; it was sensational.<\/p>\n An Oxdfas trip is not only about wonderful places, when you go with Oxdfas you go with friends, there is always someone to point out where you are beginning to burn in the sun, to share a table with, to laugh with, to make sure you are on the coach, to tell you where the best ice cream is to be found, or to share the wide and diverse knowledge our Oxdfas possesses. The guides were excellent but it really added to the trip having such a wealth of knowledge in our own group, we had Dr\u2019s in the anatomy museum, historians in the streets and painters in the Pinacoteca. Thank you all for sharing.<\/p>\n This was Polly\u2019s swan song and she will be much missed, she lead with great brio, first up and last to bed. We are very lucky to have those talents in Oxdfas so can I close by acknowledging the debt to Polly and Josephine for delivering a first class experience. Your fellow travellers salute you.<\/p>\n Sandie Redman<\/p>\n A group of us had the privilege of being guided around the Oxford University Natural History Museum by Alison Porter, who as you know serves on the Nadfas committee, but also, amongst her other skills and talents, is an official guide to the museum.\u00a0 The tour for members of the public lasts only 25 minutes but she spent an hour telling the story of this iconic building in a most interesting way.<\/p>\n We must all have taken friends, children and grandchildren to visit it, so it is familiar, but a new side of it was opened up, things we may never have noticed.<\/p>\n Did we know that the funding, \u00a330,000, came from the sale of bibles to Americans in the Mid-West?\u00a0 The fact that the budget was overspent did not surprise us.\u00a0 But did we know, or had we noticed, that as a result only some of the window surrounds on the front fa\u00e7ade had been carved?\u00a0 Most people did know about the Wilberforce-Huxley Evolution Debate which had taken place in 1860, the year when the museum was opened.<\/p>\n Having started the morning with a good cup of coffee at the caf\u00e9 on the first floor, from this\u00a0vantage point we started to look more closely at the architecture and decoration.\u00a0 We started by looking at the collection made by William Buckland and his role in teaching science at the university and went on to hear of the role Henry Acland played in the building of the museum, why a Gothic style had been chosen as opposed to the classical style chosen for the Ashmolean and the part played by John Ruskin not only in the choice of architecture but also in the detailed design work, reflecting the Pre Raphaelite movement.\u00a0 In the course of this we had an interesting discussion about the use of Caen stone.\u00a0 We all very much appreciated the interesting way in which Alison told the story with many intriguing anecdotes, including mentions of a giraffe, a coffin and a pickled heart!<\/p>\n Seonaid Danziger<\/p>\n Richard, who is one of our members, gave the latest of our Get to Know\u2026 sessions.\u00a0 Fifteen of us went to his home where he explained the craft of wood turning and showed us slides to illustrate what he said.\u00a0 Richard started with a plank of wood, often ash, and went through the stages of transforming it into a dish, a bowl, salad servers, a paper weight etc..<\/p>\n At the end of the talk, Richard passed around some of the lovely objects that he has made and explained some of the techniques, especially inlay, in which he is particularly interested at present.\u00a0\u00a0 The beauty lay not only in the shape but also in the use of the grain of the wood, and the inlays.\u00a0 They have a very tactile quality and I noticed we all wanted to stroke the wood!<\/p>\n Richard then took us down the garden to his workshop and showed us his lathe and the tools he uses.\u00a0 He even gave a little demonstration.<\/p>\n In the Get to Know\u2026 sessions we usually meet for coffee before we start the talk.\u00a0 It was very kind of Kathy and Richard to offer us all coffee and Flapjacks \u2013 much appreciated.<\/p>\n So, a big \u2018thank you\u2019 to Richard (and Kathy) for this most enjoyable morning.<\/p>\n Oh dear, the bar is being set ever higher \u2013 people will soon become frightened to offer to lead a session.\u00a0 But please don\u2019t be deterred and let me know if you have something you could show us, or tell us about.<\/p>\n Alison Porter<\/p>\n On an extremely wet Thursday in the early afternoon a group of us gathered in our cars outside the cricket pavilion, having negotiated the strict security at the entrance gate and driven for over a mile through woods and past almost manicured fields to our destination.<\/p>\n The original plan was for the\u00a0 group to split, half to the walled garden first and half to the library but owing to the inclement weather there was not much enthusiasm for the garden so with the kind permission of the\u00a0 assistant librarian Bick Keat we all walked through yet another security gate to the library built by Sir Paul Getty after he acquired the estate in 1984, and housed in a flint mock four-square battlemented fort behind the main house.<\/p>\n Inside there was nothing pseudo about the library\u00a0 nor about its wonderful\u00a0 contents.\u00a0 Brian Maggs, the well known book seller who is in charge of the collection, gave us an introduction to it and to the rationale behind its makeup.\u00a0 The theme is The Art of the Book, art in the form of fabulous bindings, printing, illuminations, atlases, manuscripts; for all of them Sir Paul bought the best so what we saw among the many examples laid out for us to consider and admire could not be bettered.\u00a0 Bindings and printings ranged from the very early, both British and foreign, to those of the 21st century.\u00a0 There was a first folio Shakespeare, Chaucer’s Canterbury Tales, the first map of Ireland, Anne Boleyn’s psalter, one of Humphrey Repton’s Red Books, a small prayer book with lettering woven on silk pages, some oddities like backless books, a triangular Masonic rule book and a small missal, inside of which was an 18th century\u00a0 miniature gun, fired by pulling on the tassel.\u00a0 Early James Bond!\u00a0 The librarians were extremely kind and attentive, more than willing to explain and to handle items where we wished to have a closer look.<\/p>\n At the end of the library visit, many elected not to drive to the walled garden but to depart; a few hardy souls decided that, even in the rain, we could not turn down the opportunity of seeing a 2 acre walled garden, originally of around 1780, which having fallen into disuse was restored by Sir Paul in the early 1990s,\u00a0 and designed by Penelope Hobhouse, using the footprint of the original.\u00a0 Having winkled the gardener, Roger, out of his greenhouses, where he was wisely sheltering from the elements, he gave us a short introductory talk on the plan of\u00a0 the garden – a central cruciform brick path, four quarters comprising vegetables and cut flowers; croquet lawn and wild flowers; herbaceous; and rose garden with a green theatre, all surrounded by buttressed yew hedges.\u00a0 This garden, plus the house garden, another on the estate and that by the Garsington opera buildings is managed by just four full timers with a little part time help.\u00a0 All was immaculate.\u00a0 Several of us came away feeling “we must do better” but with ideas from the sensitive plant and colour groupings, especially in the herbaceous beds.<\/p>\n In all, a most informative and enjoyable afternoon.<\/p>\n Liza Clifton<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n On Friday, April 10th 2015, our South Mercia Area Chairman, Dory Thompson, invited local Society Chairmen and Secretaries to Ashridge House near Berkhampstead for a tour of the house followed by tea. \u00a0Ashridge House has an interesting history, some kind of dwelling having been on the site since the Middle Ages, starting with a monastery, the 200 ft deep well of which can still be seen. \u00a0The present house dates back to the middle 19th century and is a fine example of grandiose Victorian Gothic revival, complete with large chapel. \u00a0 It is now a Management Training Centre. Our founder Chairman, Pat Dugdale, can be seen on the extreme right hand side, three rows back, our Secretary, Liz Rhodes, can be seen in the fourth row, extreme left hand side and your current Chairman, Kate Lack, can just about be seen mid back row. \u00a0 We all had a very enjoyable time.<\/p>\n Thirty-one of us boarded a coach at the crack of dawn, having endured Oxfordshire\u2019s current traffic hold-ups. We were bound for the American Museum, housed in Claverton Manor, just outside the centre of Bath.<\/p>\n I for one, had no idea such a place existed, and certainly not in an old English manor house, but great delights awaited. The house itself was gracious, and set in a\u00a0 beautiful landscape, which would have repaid exploration by itself.<\/p>\n We were divided into small groups and given an hour-long guided tour of the museum, by enthusiastic and knowledgable volunteers. The place was a revelation; each room was separately themed, and furnished and decorated with authentic American artefacts, sourced from the USA itself.<\/p>\n The furnishings and decor reflected the tastes of the time, from the early European settlers to the 20th Century. We saw beautiful English and French furniture and wall coverings, all painstakingly transferred from the States, and a fascinating display of Shaker work. A display of lovely embroidered quilts was especially popular, as was a large section devoted to native American culture.One of the most intriguing objects was a beautiful embroidered dress, which had been worn at a ball to celebrate the end of the War of Independence, and then, 100 years later, restored to be worn again at the end of the Civil War.<\/p>\n We ate a most delicious lunch in the orangery, with authentic American dishes. I\u2019ve not eaten that well in America itself! And then on to no.1 Royal Crescent, now a museum and newly restored, and though less surprising, equally fascinating, as a peek into Georgian history. It was a lovely day, so some of us included a walk round the terrace itself, and then home on the 4.15 coach, narrowly avoiding the rush hour.<\/p>\n <\/p>\n <\/p>\n <\/p>\n Sincere thanks to Trish Mather for a truly memorable trip.<\/p>\n Gill Edwards<\/p>\n A group from OxDFAS had another interesting visit \u201cbehind the scenes\u201d when we combined a visit to see some Japanese Prints with a further visit to the Conservation Department in the Ashmolean Museum<\/p>\n Clare Pollard, the Curator of Japanese Art, showed us some of the museum\u2019s collection of prints by Hiroshige and Hokusai and as the visit coincided with an exhibition of Hiroshige\u2019s landscapes, she also guided us around the gallery displaying his works. I am sure I am not alone in saying that my understanding and appreciation was increased greatly by the benefit of Clare\u2019s expertise, not least by the way she drew our attention to details we might have missed when looking at these, sometimes amusing depictions of life along the Tokaido Road.<\/p>\n Mark Norman, Head of Conservation, oversaw our visit to his department with some going to the Main Conservation Studios and others to Paper Conservation. It would be impossible to come away without being fascinated by the time, effort and devotion that his small team dedicates to preparing exhibits for display and conserving treasures for future generations.<\/p>\n Judith Bentley<\/p>\n In the latest Get to Know \u2026 session Mari Burns gave us a wonderful introduction to Dutch Still Life paintings.\u00a0 She very kindly gave her talk twice, on the 12th and 13th February, so more of us could benefit.\u00a0 Her talk started with the early flower paintings.\u00a0 These were made at a time when beautiful and exotic imports could be purchased more cheaply as paintings than as real flowers. \u00a0Mari then showed us the\u00a0Vanitas paintings where we learnt that almost every item had a symbolic meaning.\u00a0 She ended by looking at the later beautiful compositions which incorporated many favourite objects. Mari explored this wide range, inspiring us as she did so with her own enthusiasm.<\/p>\n I\u2019m sure I shall not be the only person returning to look at these fascinating paintings again and appreciating them more fully.<\/p>\n ( Jill James kindly wrote this as I was unable to go to either of Mari\u2019s talks.\u00a0 When she sent it to me, she said:<\/p>\n The talk was excellent and I was so absorbed I completely forgot to try and take a photo!\u00a0<\/em><\/p>\n Perhaps that says more than the \u2018official\u2019 write up!\u00a0 Alison Porter)<\/p>\n Allan then took us across to the chapel to see the tapestry designed and made by Morris and Burne Jones.\u00a0 He explained how the background had been altered from the early drawings as a bare hillside was replaced by a forest scene.\u00a0 It was a wonderful opportunity to look at some of the details such as the huge variety of flowers and birds. Another treat was to visit the library where we were able to see some letters and other memorabilia from Morris.<\/p>\n We were all very impressed by the depth of Allan\u2019s knowledge. Clearly, helping at Kelmscott, Morris\u2019 house, has strengthened Allan\u2019s enthusiasm and respect for the work of William Morris. We were the happy beneficiaries of this.<\/p>\n Many thanks to Sandie for suggesting the original idea and for arranging it all with the museum.<\/p>\n<\/a>The group saw the largest \u2018ship In a bottle\u2019 measuring many metres long and containing a replica of Nelson\u2019s Victory.\u00a0 The Museum was packed with naval memorabilia including a memorial to engineers on the Titanic, maps, original oil paintings, artefacts and a fantastic luxurious 18th\u00a0century barge belonging to Prince Frederick. The guides took the group through the Museum highlighting key items of interest and answering many questions relating to Nelson and his battles. Moving on to the vast 18th century buildings of the Royal Naval College, the group were shown inside the Painted Hall and the chapel as part of the tour.<\/p>\n<\/a>Some Members also visited the Fan Museum for lunch and a tour.\u00a0\u00a0 Others visited the Royal Observatory and the Cutty Sark.\u00a0 Clearly there is too much to be seen in Greenwich in just one day.<\/p>\n<\/a>The day concluded with a relaxing Thames river trip by boat from Greenwich to Westminster pier with a guide highlighting the key buildings and their history.<\/p>\nVisit to Bologna and Ravenna, June 2015<\/h3>\n
Get to know ….. \u00a0Natural History Museum with Alison Porter, 4 June 2015<\/h3>\n
Get to Know\u2026..\u00a0 Wood Turning with Richard Shock, April 2015<\/h3>\n
Visit to the Wormsley Library and walled garden, 14th May 2015<\/h3>\n
Chairman’s tea party, 10th April 2015<\/h3>\n
<\/a><\/p>\nVisit to Bath, 25th March 2015<\/h3>\n
<\/a>\u00a0<\/a><\/p>\nVisit to the Ashmolean to see Japanese Prints, and the Conservation Department, 27th\u00a0January 2015<\/h3>\n
Get to know – Dutch Still Life Paintings with Mari Burns February, 2015<\/h3>\n
Get to know – Exeter College with Allan Taylor, November 2014<\/h3>\n
<\/a>Our latest Get to Know\u2026 session was to Exeter College.\u00a0 After a pleasant cup of coffee at the Vaults Caf\u00e9, we walked to the College where Allan Taylor had arranged for us to visit the William Morris Room.\u00a0 Allan started by saying that, as a former college bursar and now our Society\u2019s treasurer, he felt \u2018out of his comfort zone\u2019 in talking to us.\u00a0 This didn\u2019t show in the least as he proceeded to give us a fascinating talk about Morris.\u00a0 I had no idea how versatile Morris was.\u00a0 Most of us knew of his design work but I certainly didn\u2019t know that he was an accomplished poet.\u00a0 Olga Gold read a fine poem he had written.\u00a0 Morris had been a student at Exeter at the same time as Burne Jones and they formed not only a lasting friendship but also collaborated on many projects together.\u00a0 The room had examples of Morris\u2019 textiles, of his prints and several delightful drawings by Burne Jones.\u00a0 This room is not open to the public and so was a rare treat.<\/p>\nGet to know – Drawing in the Cast Gallery, October 2014<\/h3>\n
<\/a>The latest Get to Know\u2026 was rather different from anything we have done before.\u00a0 This time, Sandie Redman, one of our members, took us to The Cast Gallery in the Ashmolean for a sketching session.\u00a0 She explained some of the basic principles and then got participants to do two quick sketches before embarking on a more detailed one.\u00a0 Sandie walked around offering advice and support.\u00a0 Her skills as a teacher were very apparent.\u00a0 One lady commented \u2018Sandie always managed to find something complimentary and encouraging to say\u2019.\u00a0 <\/a>Some of those taking part hadn\u2019t drawn since they were children whereas others were clearly much more experienced.\u00a0 Everyone gained from the session.\u00a0 One of the non-drawers said to me at the end \u2018It has made me look at the objects with an attention that I have never done before.\u00a0 I feel exhausted!\u2019\u00a0 That is a skill she can now use whenever she is in a gallery whether she is drawing or not.<\/p>\nChairman\u2019s Event: \u00a0Visit to the Oxford Union, 25 September 2014<\/h3>\n
<\/a>Around 50 members and guests enjoyed a visit to the Oxford Union. Librarian Sue Lockley gave a fascinating talk about the history of the building and the Pre-Raphaelite murals.\u00a0\u00a0 Alastair Lack gave an excellent and humorous presentation on the history of the debating chamber since his days at the University, and more recent events.\u00a0 Alastair explained the formalities, gave some personal anecdotes and talked about the many internationally famous personalities who had debated there.\u00a0 He also talked about the statues around the Chamber.<\/p>\n